Wild Card

Gamblers watch. If you think that the percentages ar high that a Vegas-set mythical being Jason Statham pic – and one directed by Simon West (The Expendables 2) – can embody legion bone busting and coin machine smashing, then you will wish to lower your bets.

Not that Wild Card doesn’t have a couple of vintage Stathamanical beat downs, with such things as a mastercard, a tablespoon and a combine of garden shears employed in ways in which you may solely imagine. however the action otherwise takes a back seat to boilerplate dramatics and unconventional existential brooding during this underwhelming tho' glibly helmed crime flick, that was custom-made – and not for the primary time – by the good William Goldman (Marathon Man) from his own novel. discharged mid-January in France before going out Stateside at the tip of the month, the film ought to profit on Statham’s loyal fan base, however are going to be a disappointment to anyone longing for a true thrill ride. An opening sequence, wherever Sin town bodyguard Nick Wild (Statham) receives a serious whupping at the hands of a nebbech ladies’ man (Max Casella), reveals that this can not be your typical Statham actioner. There’s definitely nothing wrong therewith, though what comes next isn’t very better: a unconventional mixed bag of Mafioso-fueled plot cliches and vodka-fueled sorrow, as if going away city and hour two had been tossed into a mixer, shaken, stirred and served with manner an excessive amount of ice. Nick’s dream is to form $500K thus he will live to tell the tale a ship in Corsica, however given his defaulter job and depressing motor hotel flat, he’s a protracted manner from his goal. once associate degree previous galfriend (Dominik Garcia-Lorido) rings him up when being savagely ill-treated, Nick can’t facilitate however catch the wrongdoer – a visiting crook (Milo Ventimiglia) shacked up together with his cronies at the Golden lump (which receives some extremely uncomplimentary advertising here – as an alternative some excellent product placement, unfinished on whether or not your vacation plans embody rape, murder or complimentary drink vouchers.) The first brawl happens between Nick and therefore the baddies at round the 40-minute mark, and though it’s well choreographed by Corey Yuen (The Transporter series) and coated by refugee Shelly Johnson (Captain America: The First Avenger) in slow-mo, fast-mo and extreme close-ups, it doesn’t conjure for the general shortage of Adrenalin. Meanwhile, a subplot involving a fervent young American (Michael Angarano) World Health Organization hires Nick to protect him for an evening, isn’t complete enough and finally ends up obtaining born, then picked up once more, once Nick nearly strikes it huge. Indeed, the highlight of untamed Card might not be its trio of fight scenes however the extended gambling sequence wherever Nick bets his future on a couple of hands of blackjack (with Hope Davis cameoing as a musical rhythm native dealer). Statham is sweet at keeping his cards shut as associate degree actor, and manages to make tension here while not doing an excessive amount of. nevertheless even that scene is followed by a ridiculous one that has Nick staring deeply into his soul within the lavatory mirror, then beating the crap out of a hand appliance. Set in contemporary Vegas however entrenched in pic stereotypes (especially the mob stuff) that are around for many years, the script offers up associate degree incongruous  dance band of previous and (slightly) new, as if Emma Goldman stepped in to simply retouch a couple of scenes – of a 1986 book that was created into the psychologist Reynolds starrer Heat – so they might match Statham’s pedigree. The results come short of the latter’s previous collaboration with West, The Mechanic, whose doses of unreal combat created up for its general lack of subtlety. Here the team doesn’t quite deliver on the action front, whereas the story of Nick’s booze-soaked redemption fails to bewitch. By doubling down on a pic that yearns to be each self-examining and bone-crunchingly cool, Wild Card overplays its hand.

• Opens: Wednesday, Jan. 14, (in France); Fri, Jan. 30 (in U.S.)
• Production companies: SJ Heat Productions, in association with Sierra / Affinity, Cinema Seven Productions
• Cast: mythical being Statham, archangel Angarano, milo maize Ventimiglia, Dominik Garcia-Lorido, Anne Heche, Serdica Vergara, scoop Casella, mythical being Alexander, Stanley Tucci, Hope Davis
• Director: Simon West
• Screenwriter: William Emma Goldman, supported his novel “Heat”
• Producer: Steve Chasman
• Executive producers: Nick Meyer, brandy Schaberg, Cassian Elwes, Henry M. Robert peer, Brian Pitt, Jib Polhemus
• Director of photography: Shelly Johnson
• Production designer: Greg Berry
• Costume designer: Lizz Wolf
• Editors: MPadriac McKinley, Thomas J. Nordberg
• Composer: Dario Marianelli
• Casting director: Barbara Fiorentino
• Action choreography: Corey Yuen
• Sales: Sierra / Affinity
• R rating, 91 minutes

source:http://www.hollywoodreporter.com/review/wild-card-film-review-763588

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A Most Violent Year

And not simply A Most Violent Year, either: the foremost violent year. The third film by J. C. Chandor, World Health Organization wrote and directed Margin Call and All Is Lost, could be a neck-prickling ethical heroic tale set in the big apple town, 1981: statistically speaking, the deadliest twelve months within the city’s history, and no time to create a good living.

In the District Attorney’s workplace, murder and corruption cases compile on desks just like the gray snow that collects within the alleyways outside. From the shores of borough, you'll almost see Manhattan within the distance, the skyline of the money district lead-blue and gleaming, the dual towers of the globe Trade Center looming massive. For Abel Morales (Oscar Isaac), that sort of success remains a far off dream, however he’s creating higher progress than most. This first-generation migrant runs a heating-oil business together with his Brooklyn-born better half Anna (Interstellar's Jessica Chastain), World Health Organization handles the accounts. Business is nice, though recently, the corporate has been hit by a spate of hijackings, with anonymous gunmen holding up fuel trucks and spiriting them away to places unknown. One night, Abel spots a wierd figure outside the couple’s lavish new Westchester home. He chases him off, however the subsequent morning, within the bushes by the door, the couple’s girl finds a loaded gun. Abel is convinced this can be the work of 1 of his rivals, World Health Organization between them have the city’s oil market sculpted up sort of a Mafia protection racket. however due to associate assistant D.A. (a subtle, very good David Oyelowo) with a keen interest within the company’s books, it’s Abel who’s tarred as a criminal. notwithstanding, he desires to play things straight; build his empire on ground. “I wish to own the items i take advantage of,” he tells a bunch of Jewish Orthodoxy Jews World Health Organization provide to rent, then eventually sell, him a warehouse down by the harbour. WASPy white faces area unit largely conspicuous by their absence. The city belongs to incomers, and Abel desires them, in turn, to belong to him. You underestimate adult male. and Mrs. Morales at your peril – and, for that matter, Isaac and Chastain. As one or two they’re a dramatic dream team, giving Abel and Pakistani monetary unit a beautiful, acidic chemistry that comes from compounding an excessive amount of business with not enough pleasure. Isaac, with gray streaks through his hair and a slate-coloured suit, yet again skulking spherical chilly the big apple streets once Inside Llewyn Davis, seems like a for good suspicious crow, whereas Chastain, all ruby-red lips and fine silk blouses, has the poise of a steel sculpture. In a terrific scene, the couple hit a ruminant in their automotive on the means home one evening, and whereas Abel hovers miserably over the spasm animal, clutching a hand tool and psyching himself up for the mercy kill, pow! pow!– Pakistani monetary unit attracts a firearm from her handbag and blasts the beast out of its misery. Chandor doesn’t roleplay the amount setting, however like Sidney Lumet, he hunkers down on the pavement together with his characters, showing North American nation their energy and determination to climb higher, as circumstances and their rivals grasp at their ankles. At one purpose, Abel happens by accident to be within reach once one in all his trucks is hijacked, and, recognizing an opportunity to finally learn who’s sabotaging his business, he follows in his automotive – an exploration that becomes a panic-stricken chase down the city’s backstreets, over patches of waste land, through railway yards so on foot and on the subway. On the means Abel finds a gun, and also the temptation for him to use it, and play by the city’s rules instead of his own, is overwhelming. The sequence is controlled and exhilarating – an ethical action sequence – however it additionally reminds Abel, and us, that even this purportedly successful man is at the mercy of spiderly external forces. “You’ve been walking around this whole time thinking this comes right down to your toil, your smart luck, your charm,” snorts "Anna" once he returns home that night. “Mr. F_____’ American Dream. Chandor’s film offers the Dream associate authentic, unreal texture. Here, success is even scarier than failure: it’s a nocturnal fantasy, tempting and ablaze with threat.

source:http://www.telegraph.co.uk/film/a-most-violent-year/review/

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The Hobbit: The Battle of the Five Armies

“So began a battle that none had expected,” wrote JRR Tolkien in the third-from-last chapter of The Hobbit. “And it was called The Battle of the Five Armies, and it was very terrible.” Peter Jackson’s expansion of this epochal but barely-described fracas, in his third and final film from this slim book, is neither very terrible nor remotely unexpected. It’s a series of stomping footnotes in search of a climax.






In terms of story so far, it ends virtually when it starts – with super-peeved dragon Smaug (Benedict Cumberbatch) raining down fiery destruction on the pitiful residents of Laketown, and facing the last-ditch heroism of an archer called Bard (Luke Evans). Everything else is scraps, in both senses. Jackson’s one recourse is to ape the here-we-go-again war mania of The Return of the King. Humans, dwarves and elves duke it out with orcs and wild wolves. It's a whopping great grudge match, a squabble over the contents of Smaug’s mountain lair, and goodness knows what else. The trouble is that Jackson can’t make it mean very much: when every life on Middle Earth is seemingly at stake, few individually grab our attention. There’s more aftermath than plot left, and very little of it has to do with Bilbo (Martin Freeman), who feels increasingly like a forlorn bystander in his own franchise. The further and more competently the movie trundles on, the more it begs not to exist, really: hindsight favours a two-part adaptation at most. This isn’t to say there aren’t bright spots. However it was fudged, 92-year-old Christopher Lee doing Shaolin kung fu with his magic staff is great value. And the last third is rescued by one meaty, entertaining set piece – crumbling citadel, frozen lake, one-on-one duels between orcs and the principal cast. Freeman, and Evangeline Lilly as the not-in-Tolkien elf maiden Tauriel, inject some unforced pathos which puts many of their dewy-eyed co-stars to shame. The bloom has come off Orlando, though, whose main achievement as Legolas – other than some ridiculous mid-air running up collapsing masonry – is to illustrate perfectly what Joey Tribbiani from Friends called “smell the fart acting”. When the dwarf leader Thorin (Richard Armitage) imagines himself drowning in a pool of molten gold, Jackson’s pet message that Greed Is Bad rings out again – but you have to wonder if a triple-your-money release strategy is quite the seemliest context to preach it in. At 6ft 2", Armitage must be the tallest actor ever to play a dwarf. The film is the opposite: a paragraph on steroids. source:http://www.telegraph.co.uk/culture/film/filmreviews/11260252/The-Hobbit-The-Battle-of-the-Five-Armies-first-look-review-begs-not-to-exist.html Movie Info


From Academy Award (R)-winning filmmaker Peter Jackson comes "The Hobbit: The Battle of the Five Armies," the third in a trilogy of films adapting the enduringly popular masterpiece The Hobbit, by J.R.R. Tolkien. "The Hobbit: The Battle of the Five Armies" brings to an epic conclusion the adventures of Bilbo Baggins, Thorin Oakenshield and the Company of Dwarves.


Having reclaimed their homeland from the Dragon Smaug, the Company has unwittingly unleashed a deadly force into the world. Enraged, Smaug rains his fiery wrath down upon the defenseless men, women and children of Lake-town. Obsessed above all else with his reclaimed treasure, Thorin sacrifices friendship and honor tohoard it as Bilbo's frantic attempts to make him see reason drive the Hobbit towards a desperate and dangerous choice.


But there are even greater dangers ahead. Unseen by any but the Wizard Gandalf, the great enemy Sauron has sent forth legions of Orcs in a stealth attack upon the Lonely Mountain. As darkness converges on their escalating conflict, the races of Dwarves, Elves and Men must decide - unite or be destroyed. Bilbo finds himself fighting for his life and the lives of his friends in the epic Battle of the Five Armies, as the future of Middle-earth hangs in the balance. (c) Warner Bros Rating: PG-13 (for extended sequences of intense fantasy action violence, and frightening images) Genre: Action & Adventure , Science Fiction & Fantasy Directed By: Peter Jackson Written By: Philippa Boyens , Guillermo del Toro , Fran Walsh , J.R.R. Tolkien , Peter Jackson In Theaters: Dec 17, 2014 Wide On DVD: Mar 24, 2015 US Box Office: $255.1M Runtime: 2 hr. 24 min. Warner Bros. - Official Site


source:http://www.rottentomatoes.com/m/the_hobbit_the_battle_of_the_five_armies/



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The Hunger Games: Mockingjay - Part 1

The biggest problem with the new Hunger Games movie is right there in the title: Part 1. Mockingjay, the final installment in Suzanne Collins’ best-selling YA trilogy, wasn’t conceived in two parts. That was a decision made in Hollywood by a studio looking to double down and milk every last dime out of its blockbuster franchise. The suits probably thought, ”Hey, it worked for Harry Potter and Twilight, so why not us?” You can’t blame them for wanting to keep the good times rolling. But it’s a pretty cynical business plan, and it’s led to a film that feels needlessly padded. Mockingjay—Part 1 is like a term paper with the margins enlarged and the font size jacked up to reach the assigned number of pages.






This is especially disappointing because the previous chapter, 2013’s Catching Fire, was such a pleasant surprise. While the 2012 original laid out Collins’ dystopian death-sport milieu with flair and faithfulness, it was also a bit flat. Catching Fire, on the other hand, gave the heroine, Katniss Everdeen, an adrenalized urgency. As played by Jennifer Lawrence, Katniss developed into a character who was both brainy and badass. Now, in Mockingjay—Part 1, she’s become passive. The movie picks up after the incendiary conclusion of Catching Fire’s Quarter Quell, when Katniss was rescued and brought to the rebels’ underground fortress in District 13. Here, the anti-Capitol leaders plot their next strike against President Snow (Donald Sutherland), hatching a plan to turn Katniss into the fiery symbol of the resistance and spur the powerless citizens of Panem to rise up against the Capitol. It’s a propaganda war, and she’s the secret weapon—a Che Guevara T-shirt made flesh. The rebel brain trust includes President Coin (Julianne Moore, sporting silver Cruella De Vil locks), spin-savvy strategist Plutarch (Philip Seymour Hoffman, to whom the film is dedicated), hacker Beetee (Jeffrey Wright), the newly clean and sober Haymitch (Woody Harrelson), and Effie Trinket (Elizabeth Banks, channeling a drag queen). They send Katniss and Gale (Liam Hemsworth) to the front lines with a guerrilla film crew that records her battlefield heroics and beams it all back to the huddled masses.



But Snow has a secret weapon of his own. Kidnapped by the nefarious president’s forces at the end of the last movie, Peeta (Josh Hutcherson) reappears in the Capitol, and in a series of interviews with the sensationalist journalist Caesar (Stanley Tucci), he denounces Katniss and urges a cease-fire. The betrayal devastates her, forcing her to realize that her feelings for him weren’t a charade after all. With its Wag the Dog subplot and fist-in-the-air proletarianism, Mockingjay may be the most harmlessly Marxist movie to come out of Hollywood since Reds.



I suppose director Francis Lawrence and writers Peter Craig and Danny Strong deserve some credit for daring to sneak any political cheekiness into a movie that’s as big and corporate as this. But overall their hands are tied too tightly. While the series’ first two films captured the grandeur of the outdoors during the kill-or-be-killed competitions, Mockingjay is mostly bound to the bleak and claustrophobic bowels of a bunker. It suffocates the film. And when the story finally does manage to get interesting toward the end, it just screeches to a halt and cuts off, leaving fans wriggling on the hook for a finale they won’t get to see for another 12 months. That’s not a cliff-hanger, that’s just a tease.


source:http://www.ew.com/article/2014/12/05/hunger-games-mockingjay-part-1



Movie Info


The worldwide phenomenon of The Hunger Games continues to set the world on fire with The Hunger Games: Mockingjay - Part 1, which finds Katniss Everdeen (Jennifer Lawrence) in District 13 after she literally shatters the games forever. Under the leadership of President Coin (Julianne Moore) and the advice of her trusted friends, Katniss spreads her wings as she fights to save Peeta (Josh Hutcherson) and a nation moved by her courage. The Hunger Games: Mockingjay - Part 1 is directed by Francis Lawrence from a screenplay by Danny Strong and Peter Craig and produced by Nina Jacobson's Color Force in tandem with producer Jon Kilik. The novel on which the film is based is the third in a trilogy written by Suzanne Collins that has over 65 million copies in print in the U.S. alone.


(c) Lionsgate







Rating:

PG-13 (for intense sequences of violence and action, some disturbing images and thematic material)


Genre:

Drama , Action & Adventure , Science Fiction & Fantasy


Directed By:

Francis Lawrence (II) , Francis Lawrence


Written By:

Danny Strong , Peter Craig


In Theaters:

Nov 21, 2014 Wide


On DVD:

Mar 6, 2015


US Box Office:

$337.1M


Runtime:

2 hr. 5 min.



Lionsgate Films - Official Site


source:http://www.rottentomatoes.com/m/the_hunger_games_mockingjay_part_1/



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Interstellar

Everything has its time, we're told in Ecclesiastes. And for planet Earth, it's time for death.

Not that you'd know it from a cursory glance. In fact, most folks hope the old girl is on the road to recovery decades after an environmental cataclysm wiped out most of the globe's food supply. Now, severely depopulated and humbled, we're getting back to the basics: growing food, maintaining shelter, spending time with family. A few of us might even take in a ball game on a lazy afternoon. But a nitrogen-eating blight is again cutting down crops, one by one. Wheat, rice, okra ... nothing survives the disease these days except corn, and that may not last much longer. Massive dust storms sweep across the land, choking out light and life alike. And even as people push through day by day, it seems society has lost something critical: it's desire to explore, to search for something better. "We used to look up in the sky and wonder at our place in the stars," former astronaut Cooper says. "Now we just look down and worry about our place in the dirt." And that place in the dirt for Coop means scraping together a living as a farmer instead of continuing his career as an astronaut. It means having to deal with his high-tech combines taking off in their directions instead of doing what he's programmed them to do. And listening to his 10-year-old daughter, Murphy, saying there's a ghost in her room. Then, when a dust storm blows through Murph's open window, it seems the grime has made strange patterns on the floor ... as if it—the dirt itself—was trying to tell them something. It is, actually. And Coop discovers the dusty lines are binary code that, when translated, become coordinates on a map. When he and Murph go there, they find a massive, secret science facility—perhaps humanity's last real hope. The scientists and engineers who work there, led by Coop's old NASA associate Dr. Brand, have found a mysterious wormhole near Saturn that leads to a new galaxy. They've already sent a dozen intrepid scientists through the hole and to some promising planets beyond, but they need another ship to now shoot through, retrieve data from the 12 and return home with it. And, Brand tells Coop, they could sure use a good pilot to fly the thing. If all goes well and the theory of relatively works as it ought, he could get back home in, oh, a few decades or so—looking no worse for wear and ready to save whatever's left of humanity. If not ... well, Coop should give Murph an extra-long hug goodbye. 

source:http://www.pluggedin.com/videos/2015/q1/interstellar.aspx

Plot With Earth dying and resources dwindling, former astronaut Cooper (McConaughey), along with scientists Brand (Hathaway), Doyle (Bentley) and Romilly (Gyasi), take humanity’s last spaceship through a wormhole in search of a new beginning for the human race.

source:http://www.empireonline.com/reviews/reviewcomplete.asp?FID=138121

Movie Info

With our time on Earth coming to an end, a team of explorers undertakes the most important mission in human history; traveling beyond this galaxy to discover whether mankind has a future among the stars. (C) Paramount

Rating:	PG-13 (for some intense perilous action and brief strong language)
Genre:	Action & Adventure , Science Fiction & Fantasy
Directed By:	Christopher Nolan
Written By:	Christopher Nolan , Jonathan Nolan
In Theaters:	Nov 7, 2014 Wide
On DVD:	Mar 31, 2015
Runtime:	2 hr. 49 min.

Paramount Pictures - Official Site

source:http://www.rottentomatoes.com/m/interstellar_2014/

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Guardians of the Galaxy

Movie Info

From Marvel, the studio that brought you the global blockbuster franchises of Iron Man, Thor, Captain America and The Avengers, comes a new team-the Guardians of the Galaxy. An action-packed, epic space adventure, Marvel's "Guardians of the Galaxy" expands the Marvel Cinematic Universe into the cosmos, where brash adventurer Peter Quill finds himself the object of an unrelenting bounty hunt after stealing a mysterious orb coveted by Ronan, a powerful villain with ambitions that threaten the entire universe.  

To evade the ever-persistent Ronan, Quill is forced into an uneasy truce with a quartet of disparate misfits-Rocket, a gun-toting raccoon, Groot, a tree-like humanoid, the deadly and enigmatic Gamora and the revenge-driven Drax the Destroyer. But when Quill discovers the true power of the orb and the menace it poses to the cosmos, he must do his best to rally his ragtag rivals for a last, desperate stand-with the galaxy's fate in the balance. (C) Walt Disney

Rating: PG-13 (for intense sequences of sci-fi violence and action, and for some language)

Genre: Action & Adventure , Science Fiction & Fantasy

Directed By: James Gunn

Written By: Nicole Perlman , James Gunn

In Theaters: Aug 1, 2014 Wide

On DVD: Dec 9, 2014

US Box Office: $333.2M

Runtime: 2 hr. 1 min.

Walt Disney Pictures - Official Site Cast:

• Chris Pratt as Peter Quill
• Zoe Saldana as Gamora
• Dave Bautista as Drax
• Lee Pace as Ronan the Accuser
• Vin Diesel as Groot

source:http://www.rottentomatoes.com/m/guardians_of_the_galaxy

You can read this movie's complete review here: http://screenrant.com/guardians-galaxy-reviews/

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Guardians of the Galaxy (Perancis)

Infos film

De Marvel, le studio qui vous a amené les franchises à succès mondiaux de Iron Man, Thor, Captain America et The Avengers, vient une nouvelle équipe les Gardiens de la Galaxie. Une aventure épique de l'espace rempli d'action, "Gardiens de la Galaxie" de Marvel élargit le Marvel Cinematic Universe dans le cosmos, l'aventurier sarrasins Peter Quill se trouve l'objet d'une chasse à l'homme implacable après avoir volé un orbe mystérieuse convoité par Ronan, un puissant vilain avec des ambitions qui menacent l'univers entier.

Pour échapper à la Ronan toujours persistante, Quill est forcé dans une trêve fragile avec un quatuor disparate inadaptés-Rocket, un raton laveur de pistolet-toting, Groot, un humanoïde en forme d'arbre, le Gamora mortelle et énigmatique et Drax entraîné vengeance du destroyer. Mais quand Quill découvre la véritable puissance de l'orbe et la menace qu'il fait peser sur le cosmos, il doit le faire de son mieux pour rallier ses rivaux ragtag pour un dernier, veille avec le destin de la galaxie désespérée dans la balance. (C) Walt Disney

Rating: PG-13 (for intense sequences of sci-fi violence and action, and for some language)

Genre: Action & Adventure , Science Fiction & Fantasy

Directed By: James Gunn

Written By: Nicole Perlman , James Gunn

In Theaters: Aug 1, 2014 Wide

On DVD: Dec 9, 2014

US Box Office: $333.2M

Runtime: 2 hr. 1 min.

Walt Disney Pictures - Official Site Cast:

• Chris Pratt as Peter Quill
• Zoe Saldana as Gamora
• Dave Bautista as Drax
• Lee Pace as Ronan the Accuser
• Vin Diesel as Groot

source:http://www.rottentomatoes.com/m/guardians_of_the_galaxy

 

You can read this movie's complete review here: http://screenrant.com/guardians-galaxy-reviews/

 

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The Gunman

The Gunman, the new action thriller from Pierre Morel, the director of Taken, stars Sean Penn, Javier Bardem, Idris Elba, Ray Winstone and Mark Rylance. 

In theaters March 20, 2015.

Synopsis

An ex-special forces government contractor named Jim Terrier (Sean Penn) has his past come back to haunt him when his former employer wants him killed.

From the jungles of Africa to the streets of London and the city of Barcelona, Terrier goes on the run on a mission to find the people who want him dead. To save his life, he has to bring down one of the world’s most powerful organizations and face a dangerous enemy from his past in a high-stakes showdown.

source:http://www.fandango.com/thegunman_179191/movieoverview

The Gunman

Sean Penn, Idris Elba, Javier Bardem, Ray Winstone, Mark Rylance, Jasmine Trinca in The Gunman.

A former Special Ops soldier (Sean Penn) is targeted as a risk by his employers (Javier Bardem and Idris Elba), and must go on the run to survive and clear his name. 

~ Dan Gelb, Rovi

source:http://www.tribute.ca/movies/the-gunman/104782/

Movie Info

THE GUNMAN, the new action thriller from Pierre Morel, the director of Taken, stars Sean Penn, Javier Bardem, Idris Elba, Ray Winstone and Mark Rylance.

(C) Open Road

• Rating: R (for strong violence, language and some sexuality)
• Genre: Action & Adventure
• Directed By: Pierre Morel
• Written By: Don MacPherson , Jean-Patrick Manchette , Pete Travis , Peter Travis
• In Theaters: Mar 19, 2015 Wide
• US Box Office: $5.0M
• Runtime: 1 hr. 55 min.

Open Road Films - Official Site

http://www.rottentomatoes.com/m/the_gunman_2015/ 

 

The Gunman (Perancis)

The Gunman, le nouveau thriller de Pierre Morel, le directeur de pris des mesures, en vedette Sean Penn, Javier Bardem, Idris Elba, Ray Winstone et Mark Rylance. Dans les salles le 20 mars 2015.

Synopsis

Un entrepreneur forces de l'ex-gouvernement spéciale nommé Jim Terrier (Sean Penn) a son passé revient le hanter quand son ancien employeur veut l'a tué.

Des jungles de l'Afrique dans les rues de Londres et la ville de Barcelone, Terrier prend la fuite sur une mission de trouver les personnes qui veulent sa mort. Pour sauver sa vie, il doit ramener une des organisations les plus puissantes du monde et faire face à un ennemi dangereux de son passé dans une épreuve de force à enjeux élevés.

source:http://www.fandango.com/thegunman_179191/movieoverview

The Gunman

Sean Penn, Idris Elba, Javier Bardem, Ray Winstone, Mark Rylance, Jasmine Trinca dans The Gunman.

A former Special Ops soldier (Sean Penn) is targeted as a risk by his employers (Javier Bardem and Idris Elba), and must go on the run to survive and clear his name. 

~ Dan Gelb, Rovi

source:http://www.tribute.ca/movies/the-gunman/104782/

Movie Info

THE GUNMAN, the new action thriller from Pierre Morel, the director of Taken, stars Sean Penn, Javier Bardem, Idris Elba, Ray Winstone and Mark Rylance.

(C) Open Road

• Rating: R (for strong violence, language and some sexuality)
• Genre: Action & Adventure
• Directed By: Pierre Morel
• Written By: Don MacPherson , Jean-Patrick Manchette , Pete Travis , Peter Travis
• In Theaters: Mar 19, 2015 Wide
• US Box Office: $5.0M
• Runtime: 1 hr. 55 min.

Open Road Films - Official Site

http://www.rottentomatoes.com/m/the_gunman_2015/ 

 

Insurgent - One Choice Can Destroy You

Synopsis

Directed by Robert Schwentke, the second film in the Divergent series find Tris (Shailene Woodley) and Four (Theo James) on the run from Jeanine Matthews (Kate Winslet) while trying to figure out the secret that will help the rebels build a new and better future.

source:http://www.fandango.com/thedivergentseries:insurgent_177207/plotsummary 

 

Beatrice Prior must confront her inner demons and continue her fight against a powerful alliance which threatens to tear her society apart. 

source: http://android-movies.com/en/movie/262500/Insurgent-2015 

 

Movie Info 

THE DIVERGENT SERIES: INSURGENT raises the stakes for Tris as she searches for allies and answers in the ruins of a futuristic Chicago. Tris (Woodley) and Four (James) are now fugitives on the run, hunted by Jeanine (Winslet), the leader of the power-hungry Erudite elite. Racing against time, they must find out what Tris's family sacrificed their lives to protect, and why the Erudite leaders will do anything to stop them. Haunted by her past choices but desperate to protect the ones she loves, Tris, with Four at her side, faces one impossible challenge after another as they unlock the truth about the past and ultimately the future of their world. (C) Lionsgate 

 

• Genre: Drama , Action & Adventure , Romance , Science Fiction & Fantasy 

• Directed By: Robert Schwentke 

• Written By: Akiva Goldsman , Brian Duffield , Mark Bomback 

• In Theaters: Mar 19, 2015 Wide 

• US Box Office: $52.3M 

• Runtime: 1 hr. 59 min. 

• Lionsgate Films - Official Site 

source:http://www.rottentomatoes.com/m/insurgent/ 

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Divergente 2 : L'Insurrection

Synopsis

Réalisé par Robert Schwentke, le deuxième film de la série divergente trouver Tris (Shailene Woodley) et quatre (Theo James) sur la piste de Jeanine Matthews (Kate Winslet), tout en essayant de comprendre le secret qui aidera les rebelles et construire une nouvelle avenir meilleur.

source:http://www.fandango.com/thedivergentseries:insurgent_177207/plotsummary 

 

Beatrice préalable doit affronter ses démons intérieurs et continuer son combat contre une alliance puissante qui menace de déchirer sa société à part.

http://android-movies.com/en/movie/262500/Insurgent-2015 

 

Infos film

LA séries divergentes: INSURGENT soulève les enjeux pour Tris tandis qu'elle cherche des alliés et des réponses dans les ruines d'un Chicago futuriste. Tris (Woodley) et quatre (James) sont maintenant fugitifs en cavale, traqué par Jeanine (Winslet), le leader de l'élite érudite avide de pouvoir. Course contre la montre, ils doivent savoir ce que la famille de Tris sacrifié leur vie pour protéger, et pourquoi les dirigeants érudits feront tout pour les arrêter. Hanté par ses choix passés mais désespérée pour protéger ceux qu'elle aime, Tris, avec quatre à ses côtés, face à l'un défi impossible après l'autre comme ils débloquer la vérité sur le passé et, finalement, l'avenir de leur monde. (C) Lionsgate.

• Genre: Drama , Action & Adventure , Romance , Science Fiction & Fantasy 

• Directed By: Robert Schwentke 

• Written By: Akiva Goldsman , Brian Duffield , Mark Bomback 

• In Theaters: Mar 19, 2015 Wide 

• US Box Office: $52.3M 

• Runtime: 1 hr. 59 min. 

• Lionsgate Films - Official Site 

http://www.rottentomatoes.com/m/insurgent/ 

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