The Babadook

An often-effective, surpringly rare horror motion-picture show maneuver is to require Associate in Nursing everyday state of affairs that’s straightforward to relate to and to ramp it up to the purpose of psychopathy. Australian writer-director Jennifer Kent’s assured initial feature is that child everybody is aware of (or has been), the one who’s thus scared of the bugbear — or no matter imagined terror haunts his nights — that he utterly disrupts his parents’ life and his own.

Young Noah Wiseman may be a force of nature as guided missile, promptly the foremost vulnerable and most irritating kid conceivable, infecting his worn-down mother (Essie Davis) with temporary state (at one purpose, he crawls into her bed whereas she’s exploitation her vibrator), having a screaming ill temper within the automotive whereas kicking the rear of her seat, and in bother for transferral home-baked monster-fighting weapons to highschool. The backstory — Amelia’s husband died in a very automotive crash driving her to the hospital to own their son — is poignant and also the portrait of mother and son bolted in a very single, escalating fantasy is riveting and awfully credible. the house stretch, that hints at the origins of the monster, is suspensive and surprising. At first, we’re cornered in a very house with a child World Health Organization is relentless in his fantasy — to the purpose wherever his mother suspects he’s producing proof of Babadook activity, like broken glass the soup. Then, the film enters deeply into Amelia’s troubled mindscape as "The Babadook", that has secure to kill her son by possessing her to try to to the deed, takes over, and guided missile has cause to be genuinely afraid. In films just like the "Amityville Horror" and "The Shining", fathers ar influenced by the supernatural to become menaces to their kids, however this can be a rare instance of the syndrome moving a mother. Davis is surprising because the drained mum, troubled to traumatize a toddler World Health Organization forever says and will the incorrect issue at the incorrect time — protesting regarding the medication he’s been given to create him sleep whereas the social services ar creating a decision. "The Babadook" shares some traits with up to date ghost stories like sensory receptor, "Mama" or "Insidious" however with a stronger character basis. It’s genuinely scarey in its jump moments, however additionally imparts a lingering sense of dread that may stick with you for days — and can positively come back to mind subsequent time you get up within the middle of the night curious what that scratching noise was. Its expressionist vogue means that it’s not simply reduced to an easy story of a psychological delusion — there's a true monster, tho' ambiguity on its nature is carried throughout to the worrisome end. The deceptive, vicious, odd pop-up book that turns up within the home with no real rationalization and triggers the crisis is bright designed, and unsettling. The Seussish-with-a-nightmare-edge illustrations ar dextrously horrid, exactly not appropriate for pliant youngsters, however still gift a unforgettable, virtually cute brand. The Babadook manifests in varied forms — at one purpose, taking drugs on late-night tv within the middle of a Georges Méliès film — strutting and denudation teeth sort of a hideous mixture of Struwwelpeter, Nosferatu, Willy Wonka, Freddy Krueger and also the Child Catcher.

source:http://www.empireonline.com/reviews/reviewcomplete.asp?FID=138767

Movie Info Six years once the killing of her husband, birth defect (Essie Davis) is at a loss. She struggles to discipline her 'out of control' half-dozen year-old, Samuel (Noah Wiseman), a son she finds not possible to like. Samuel's dreams ar littered with a monster he believes is coming back to kill them each. once a troubling storybook known as 'The Babadook' turns up at their house, Samuel is convinced that the Babadook is that the creature he is been dreaming concerning. His hallucinations spiral out of management, he becomes additional unpredictable and violent. Amelia, genuinely frightened by her son's behaviour, is forced to medicate him. however once birth defect begins to ascertain glimpses of a sinister presence all round her, it slowly dawns on her that the factor Samuel has been warning her concerning is also real. 

(C) IFC

• Rating:     Unrated
• Genre:     Drama, Horror, Mystery, Suspense
• Directed By:     Jennifer Kent
• Written By:     Jennifer Kent
• In Theaters:    November twenty seven, 2014 restricted
• On DVD:    April thirteen, 2015
• Runtime:    one time unit. 34 min.

IFC Films - Official Site

source:http://www.rottentomatoes.com/m/the_babadook/ 

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Cut Bank

Cut Bank is the sort of copycat, self-consciously comedic violent noir of which there were far too many at the Sundance Film Festival in the years after the Coen Brothers and Quentin Tarantino strode onto the scene. Clever enough to provoke a few abrupt laughs along the way, this big screen debut for two television stalwarts, director Matt Shakman (It’s Always Sunny in Philadelphia) and writer Robert Patino (Sons of Anarchy, Prime Suspect), is sabotaged by some frightfully on-the-nose expository dialogue and an adamantly prosaic visual style.

Still, the solid cast will probably earn this a distributor for limited theatrical release. The yarn is set (but was not filmed) in the tiny (pop. 3,100) Montana town that proudly announces itself as the "coldest spot in the nation," although, as the story is set during the summer, this has no bearing whatever on the plot. An embarrassingly informational initial scene has handsome dumb cluck Dwayne (Liam Hemsworth) telling his gullible but fetching girlfriend Cassandra (Teresa Palmer) something she scarcely needs to hear again, that he wanted whisk her to L.A. three years ago but for now he’s stuck caring for his sick old dad.

As if in preparation for imagined film careers, Dwayne takes his young lovely out to a floral field to take some lyrical video footage of her, only to also capture, in the background, a figure emerge to fire to two shots at another man. The victim is the town's goofy old postman, Georgie Wits (Bruce Dern), who has heretofore been seen spending his lunch hour in his mail truck ogling nubile cheerleaders through binoculars.

As there’s a $100,000 reward in place for anyone providing evidence of the killing of a federal employee, Dwayne expectantly gives his videotape to local sheriff Vogel (John Malkovich), who’s taken aback by the advent of the town’s very first murder. However, there’s no body, nor has the day’s mail been delivered, which is a matter of extreme concern to taxidermist Derby Milton (Michael Stuhlbarg), an ultra-weirdo with bottle-bottom glasses who’s expecting a very important parcel.

Short of spilling any spoilers, which would be numerous, it’s safe to say that the lack of a corpse is simply the first of many details that suggest that things are not as straightforward as they might have seemed at first; it almost goes without saying that the body count does not end with one. Writer Patino no doubt had fun lining up all his ducks, the better to savor twisting their necks and plucking their feathers, and there are minor pleasures to be taken watching pros like Dern, Stuhlbarg, Malkovich and Oliver Platt, playing a visiting D.C. official, employ delayed reactions and well-practiced stares to milk maximum value out of the script’s surprise turns.

But thick-headed Dwayne and bubbly Cassandra, who dreams of being crowned Miss Cut Bank before leaving for Hollywood stardom, are dull characters, as is the latter’s stern father (Billy Bob Thornton).

Even more deleterious, however, is the by-the-numbers direction; especially with this sort of story, which has been done a thousand times before, stylistic flair and visual inventiveness are de rigueur, the only justification, in fact, for further exploits in this much-traversed field. Shakman’s handling of it is strictly presentational, creating no special mood, atmosphere or character.

Some very good talent behind and before the camera has been put to quite ordinary use here.

source:http://www.hollywoodreporter.com/review/laff-film-review-cut-bank-713607

Movie Info

Dwayne McLaren (Liam Hemsworth) dreams about escaping small town life in Cut Bank, Montana, "the coldest spot in the nation," with his vivacious girlfriend Cassandra (Teresa Palmer). When Dwayne witnesses an awful crime, he tries to leverage a bad situation into a scheme to get rich quickly but he finds that fate and an unruly accomplice are working against him. Thrust into the middle of a police investigation spearheaded by the local sheriff (John Malkovich), everything goes from bad to worse in this all-American thriller. Directed by Matt Shakman and also starring Billy Bob Thornton, Bruce Dern, Michael Stuhlbarg, and Oliver Platt. (C) Official Site  

Rating:	R (for violence and language)
Genre:	Mystery & Suspense
Directed By:	Matt Shakman
Written By:	Roberto Patiño
In Theaters:	Apr 3, 2015 Limited
On DVD:	May 25, 2015
Runtime:	1 hr. 33 min.

A24 - Official Site

http://www.rottentomatoes.com/m/cut_bank/

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Jinn

Despite OK visual effects, a few chills and some newfangled movie monsters, writer-director Ajmal Zaheer Ahmad’s supernatural thriller “Jinn” often feels like one-half of an old grindhouse double bill.  It’s a watchable if rather convoluted effort.

The titular jinn, according to Eastern mythology, are one of three races created “In the beginning…” (the other two are man and angels).  Conveniently--for a horror film, anyway--the mysterious jinn are nothing if not flexible.  These time- and shape-shifting beings can be good or bad, peaceful or violent, invisible or in your face (at times they resemble upright fireplaces).  Whatever, you want them on your side.

Unfortunately for Shawn (Dominic Rains), a model-handsome Michigan auto designer married to the equally pretty Jasmine (Serinda Swan), he must suddenly do battle with a vicious sect of the jinn, the Shayateen, due to a family curse that stretches back to 1901.  Suffice to say this ancestral history is news to Shawn and it’s delivered the old-fashioned way: on a VHS tape.

What follows is a frantic few days in which Shawn must collaborate with an unlikely trio of jinn experts--a shadowy priest (William Atherton), a protective tough guy (Ray Park) and a manacled mental patient (Faran Tahir)--to learn how to fight the fiery Shayateen at their own miserable game and, y’know, save the world.  This demands that, among other things, Shawn pass an ancient ritualistic test called the Chillah (don’t ask).

Meanwhile, Jasmine, who may or may not be pregnant with Shawn’s child, has allegedly been abducted by the bad jinn. Cue the stacked deck.

Magical swords, evil doppelgangers, a sexy black muscle car, an unremarkable final showdown and lots of first-draft dialogue factor into this thankfully brief (about 80 minutes plus end credits) frightfest. 

As for the film’s closing promise: “The Jinn will return”--don’t hold your breath.

~ By Gary Goldstein

source:http://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-review-jinn-cant-rise-above-horror-cliches-20140405-story.html 

 

Movie Info

In the beginning, three were created. Man made of clay. Angels made of light. And a third made of fire. For centuries, stories of angels and men have captured the imagination and been etched into history crossing all boundaries of culture, religion and time. These two races have dominated the landscape of modern mythology, shrouding the evidence that a third was ever created. This third race, born of smokeless fire, was named the jinn. Modern man has all but forgotten this third race ever existed. It is time for him to remember. 

(c) Freestyle

 

Rating:	PG-13 (for some intense sequences of violence and terror)
Genre:	Horror , Mystery & Suspense , Science Fiction & Fantasy
Directed By:	Ajmal Zaheer Ahmad
Written By:	Ajmal Zaheer Ahmad
In Theaters:	Apr 2, 2014 Limited
On DVD:	Apr 12, 2015
US Box Office:	$0.1M
Runtime:	1 hr. 37 min.

Freestyle Releasing - Official Site

source:http://www.rottentomatoes.com/m/jinn_2014/

 

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The Imitation Game

Synopsis

Alan Turing's life story is unequivocally a tragedy. The Imitation Game, a new biopic that focuses on his accomplishments as a codebreaker during World War II, manages to recognize this while celebrating his formidable legacy.

The film tells an important story. Turing, a mathematician, is considered the father of computer science and a pioneer of artificial intelligence. That alone would merit his continued recognition as a great thinker. But he also played a crucial role in World War II—so much so that Winston Churchill said Turing made the most important contribution to winning the war. He was a war hero. Perhaps the biggest war hero.

During the war, the Axis forces had no better weapon than their Enigma machines, cryptographic marvels the Nazis thought were impossible to crack. Turing and other Allied codebreakers thought differently, and built a machine to break the code. This allowed Allied forces to intercept Axis communications, enabling access to information that ultimately helped the Allied forces defeat the enemy.

The film primarily focuses on Turing's time at Bletchley Park's Hut 8. Using a police officer's investigation into Turing in 1951 as a framing device, the story is told largely in flashbacks. The film follows Turing, played by Benedict Cumberbatch, as he antagonizes and bonds with his fellow codebreakers—particularly Joan Clark, the team's brilliant, lone female member (portrayed by Keira Knightley in a subtle, unshowy performance), to whom he was briefly engaged. In the movie, as in life, Turing called off the engagement after he told her he was gay.

The Imitation Game is a good movie, but not a great one: While the actors turn in solid performances, the screenwriting relies too much on the trope of the tortured, misunderstood genius vs. the world, and the historical footage of the war seems awkwardly crammed in to make you remember that, oh shit, U-Boats were scary.

In fact, The Imitation Game is really a few different movies at once: It's a spy caper, a race-against-the-clock film, a celebration of eccentricity, and an indictment of Britain's shoddy treatment of one of her heroes. The framing device was distracting, since it asks us to imagine that Turing would confess his highly classified role to a random police officer.

And the flashbacks to Turing's formative schoolboy relationship border on schmaltzy. Though they do serve to humanize the character, they wouldn't have been necessary if the script gave Turing a more nuanced characterization. Some of his lines sound like it's just Sheldon from Big Bang Theory talking, although Cumberbatch saves much of the material from getting too paint-by-numbers-nerd.

Despite the tremendous debt Britain owes him, Turing died a convicted felon. He committed suicide at age 42, two years after his arrest for "gross indecency" after being exposed as a homosexual. He was unable to continue working with the government, and was forced to choose between chemical castration and prison, and chose castration. The man whose work helped save Britain was treated monstrously, just for being who he was.

The film touches on the tragic ending to Turing's life as the film closes, as well as the way his reputation has been (thankfully) restored in recent years. It notes that he was eventually granted a posthumous royal pardon last year. I'd be surprised if you didn't leave the theater after seeing it without agreeing with former Prime Minister Gordon Brown's apology to the (long-dead) Turing in 2009: "We're sorry. You deserved so much better."

I saw The Imitation Game at the Toronto International Film Festival, but it will have a limited wide release November 21. So spend Thanksgiving this year being thankful Alan Turing existed.

source:http://gizmodo.com/the-imitation-game-review-a-stirring-look-at-turings-t-1633503454

Movie Info

During the winter of 1952, British authorities entered the home of mathematician, cryptanalyst and war hero Alan Turing (Benedict Cumberbatch) to investigate a reported burglary. They instead ended up arresting Turing himself on charges of 'gross indecency', an accusation that would lead to his devastating conviction for the criminal offense of homosexuality - little did officials know, they were actually incriminating the pioneer of modern-day computing. 

Famously leading a motley group of scholars, linguists, chess champions and intelligence officers, he was credited with cracking the so-called unbreakable codes of Germany's World War II Enigma machine. An intense and haunting portrayal of a brilliant, complicated man, THE IMITATION GAME follows a genius who under nail-biting pressure helped to shorten the war and, in turn, save thousands of lives. 

(c) Weinstein

Rating:	PG-13 (for some sexual references, mature thematic material and historical smoking)
Genre:	Mystery & Suspense , Drama
Directed By:	Morten Tyldum
Written By:	Graham Moore
In Theaters:	Nov 28, 2014 Wide
On DVD:	Mar 31, 2015
US Box Office:	$90.5M
Runtime:	1 hr. 54 min.

The Weinstein Company - Official Site

source:http://www.rottentomatoes.com/m/the_imitation_game/

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Kingsman: The Secret Service

Kingsman: The Secret Service tells the story of a super-secret spy organization that recruits an unrefined but promising street kid into the agency’s ultra-competitive training program just as a global threat emerges from a twisted tech genius.

Synopsis

Mark Millar and Dave Gibbons' comic series is adapted for the big screen in this Matthew Vaughn-directed action thriller. The story centers on a secret agent who recruits a juvenile delinquent into a top-secret spy organization. Together, they battle a tech genius with diabolical ambitions. ~ Jeremy Wheeler, Rovi

Provided by Rovi 

source:http://www.fandango.com/kingsman:thesecretservice_175203/movieoverview

• Starring: Colin Firth, Michael Caine, Samuel L. Jackson, Taron Egerton
• Summary: A veteran spy (Colin Firth) of a super-secret organization recruits an unrefined but promising street kid (Taron Egerton) into the agency’s ultra-competitive training program just as a global threat emerges from a twisted tech genius. 

source:http://www.metacritic.com/movie/kingsman-the-secret-service

 

Movie Info

Based upon the acclaimed comic book and directed by Matthew Vaughn (Kick Ass, X-Men First Class), Kingsman: The Secret Service tells the story of a super-secret spy organization that recruits an unrefined but promising street kid into the agency's ultra-competitive training program just as a global threat emerges from a twisted tech genius. (c) Fox

• Rating: R (for sequences of strong violence, language and some sexual content)
• Genre: Mystery & Suspense
• Directed By: Matthew Vaughn
• Written By: Mark Millar , Dave Gibbons , Matthew Vaughn , Jane Goldman
• In Theaters: Feb 13, 2015 Wide
• US Box Office: $119.4M
• Runtime: 2 hr. 8 min.

20th Century Fox - Official Site

source:http://www.rottentomatoes.com/m/kingsman_the_secret_service/ 

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Kingsman: Services Secrets (Perancis)

Kingsman : Services secrets raconte l'histoire d'une organisation d'espionnage ultra-secrète qui recrute un enfant de la rue non raffinée mais prometteur dans le programme de formation ultra-concurrentiel de l'agence comme une menace mondiale émerge d'un génie de la technologie torsadée.

Synopsis

Série de bande dessinée de Mark Millar et Dave Gibbons est adapté pour le grand écran dans ce thriller d'action Matthew Vaughn-dirigé. L'histoire est centrée sur un agent secret qui recrute un jeune délinquant en une organisation top-secret espion. Ensemble, ils combattent un génie de la technologie avec des ambitions diaboliques. ~ Jeremy Wheeler, Rovi

Provided by Rovi 

source:http://www.fandango.com/kingsman:thesecretservice_175203/movieoverview

• Vedettes: Colin Firth, Michael Caine, Samuel L. Jackson, Taron Egerton
• Résumé: Un espion vétéran (Colin Firth) d'une organisation ultra-secrète recrute un non raffiné mais prometteur enfant de la rue (Taron Egerton) dans le programme de formation ultra-concurrentiel de l'agence comme une menace mondiale émerge d'un génie de la technologie torsadée.

source:http://www.metacritic.com/movie/kingsman-the-secret-service

Infos film

Basé sur la bande dessinée acclamé et réalisé par Matthew Vaughn (Kick Ass, X-Men : Le Commencement), Kingsman: Le Secret Service raconte l'histoire d'une organisation d'espionnage ultra-secrète qui recrute un enfant de la rue non raffinée mais prometteur dans la ultra de l'agence programme de formation concurrentiel comme une menace mondiale émerge d'un génie de la technologie torsadée. (c) Fox

• Rating: R (for sequences of strong violence, language and some sexual content)
• Genre: Mystery & Suspense
• Directed By: Matthew Vaughn
• Written By: Mark Millar , Dave Gibbons , Matthew Vaughn , Jane Goldman
• In Theaters: Feb 13, 2015 Wide
• US Box Office: $119.4M
• Runtime: 2 hr. 8 min.

20th Century Fox - Official Site

source:http://www.rottentomatoes.com/m/kingsman_the_secret_service/ 

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Furious 7

From small beginnings as a plucky street racing drama, the Fast & Furious series has transformed itself into a juggernaut tentpole franchise that delivers jaw-dropping vehicular carnage and testosterone-soaked fist fights. Cast members aside, the Fast movies of recent years bear little resemblance to the early outings. It wasn't until the arrival of Dwayne Johnson in 2011's Fast Five that the films really found their feet - now they're competing for serious box office bucks with the likes of Marvel and Transformers. In short, the Fast franchise now produces the kind of action movies you wished The Expendables would.

Paul Walker

Picking up straight where Fast & Furious 6 left off, the storyline this time around is driven by Deckard Shaw's (Jason Statham) thirst for revenge against Dom Toretto (Vin Diesel) and his crew. Shaw, like a force-of-nature horror villain, materialises out of the blue to put Hobbs in hospital, kill Han (Sung Kang) and drop a bomb on Brian (Paul Walker) and Mia's (Jordana Brewster) doorstep.

The crew are given the chance to save their own skin by Kurt Russell's Mr Nobody, a clandestine government operative who hires them to recover a powerful 'God's Eye' surveillance device. His promise? They can use it to track down and deal with Shaw before handing it back. So begins a global game of cat and mouse as supercars speed through skyscrapers in Abu Dhabi, cars parachute out of planes and Statham embarks on a pair of epic showdowns with Johnson and later Diesel. It's as big and over-the-top as you'd expect, playing out like a Fast & Furious greatest hits. There's even room for a drag race (featuring an Iggy Azalea cameo) and a place for The Fast and the Furious: Tokyo Drift, which is weaved neatly into the series' timeline.

This is big, brash, everything-and-the-kitchen-sink spectacle that delivers on entertainment value. New director James Wan feels at home with the formula, although there's the occasional fumble, notably a penchant for leeringly gratuitous ass shots (even Michael Bay isn't this bad!) and frantic editing that makes a few of the fist fights barely comprehensible. Of course, Fast & Furious 7 is with us later than originally planned. The tragic death of Paul Walker midway through the shoot meant that production had to shut down to mourn then figure out how to complete the film. Walker's brothers Caleb and Cody came into the fold to serve as doubles and, aided by the latest VFX technology, his character Brian O'Connor is able to play an integral part in Fast 7. The digital work is pretty much flawless.

The film's real triumph, though, is how it works as an emotional send-off for Walker. No spoilers here, but the closing moments are handled absolutely beautifully. Heartfelt and genuinely moving, it works both within the context of the Fast series' family-centric ethos and, perhaps more powerfully, offers a moment of closure for fans. The final shot could not be more perfect. Tears will be shed.

source:http://www.digitalspy.co.uk/movies/review/a637531/fast--furious-7-review-series-bids-emotional-farewell-to-paul-walker.html#~p7WFeDJUbxXmTT

Furious 7 (Perancis)

Après des débuts modestes comme un drame courageuse de courses de rue, la série Fast & Furious se est transformé en une franchise de tentpole de mastodonte qui offre carnage véhicules jaw-dropping et bagarres testostérone imbibé. Cast Members côté, les Films Fast de ces dernières années portent peu de ressemblance avec les premières sorties.   Ce ne était pas jusqu'à l'arrivée de Dwayne Johnson en 2011 de Fast Five que les films vraiment trouvé leurs pieds - maintenant ils sont en concurrence pour les graves dollars au box-office avec les goûts de Marvel et Transformers. En bref, la franchise rapide produit maintenant le genre de films d'action vous vouliez The Expendables ferait.

Paul Walker

Reprenant droite où Fast & Furious 6 se est arrêté, l'histoire cette fois-ci est entraîné par (Jason Statham) la soif de Deckard Shaw de vengeance contre Dom Toretto (Vin Diesel) et son équipage. Shaw, comme un méchant d'horreur vigueur de la Nature, se matérialise sur le bleu de mettre Hobbs à l'hôpital, de tuer Han (Sung Kang) et déposer une bombe sur Brian (Paul Walker) et (Jordana Brewster) aux portes de Mia. L'équipage sont donnés la chance de sauver leur propre peau par Mr Nobody de Kurt Russell, un agent du gouvernement clandestine qui les engage pour récupérer un dispositif de surveillance »des yeux de Dieu» puissant. Sa promesse? Ils peuvent l'utiliser pour traquer et faire face à Shaw avant de la rendre. Ainsi commence un jeu mondial de chat et de souris que supercars vitesse à travers les gratte-ciel à Abu Dhabi, les voitures parachute d'un avion et de Statham se embarque sur une paire de confrontations épiques avec Johnson et plus tard Diesel. Il est aussi grand et over-the-top que vous attendez, en jouant comme un plus grands Fast & Furious résultats. Il ya même de la place pour une course de dragsters (avec un camée Iggy Azalea) et une place pour Fast and Furious: Tokyo Drift, qui est tissé parfaitement dans la chronologie de la série. Ce est grand, sarrasins, tout-et-la-cuisine-évier spectacle qui offre de la valeur de divertissement. Nouveau réalisateur James Wan se sent à la maison avec la formule, même si il ya le fumble occasionnelle, notamment un penchant pour les coups de cul leeringly gratuites (même Michael Bay ne est pas ce mauvais!) Et l'édition frénétique qui fait un peu de poing se bat à peine compréhensible. Bien sûr, Fast & Furious 7 est avec nous plus tard que prévu. La mort tragique de Paul Walker au milieu de la séance signifie que la production a dû fermer à pleurer puis comprendre comment terminer le film. Les frères de Caleb Walker et Cody sont venus dans la bergerie pour servir de chambres doubles et, aidé par la dernière technologie de VFX, son caractère Brian O'Connor est en mesure de jouer un rôle essentiel dans rapide 7. Le travail numérique est à peu près sans faille. Véritable triomphe du film, cependant, est de savoir comment il fonctionne comme un adieu émouvant pour Walker. Pas de spoilers ici, mais les moments de fermeture sont traitées absolument magnifique. Sincère et véritablement mobile, il travaille à la fois dans le contexte de l'éthique de la famille centrée de la série rapide et, peut-être avec plus de force, offre un moment de la fermeture pour les fans. Le plan final ne pouvait pas être plus parfait. Larmes seront hangar. source:http://www.digitalspy.co.uk/movies/review/a637531/fast--furious-7-review-series-bids-emotional-farewell-to-paul-walker.html#~p7WFeDJUbxXmTT  The Verdict  Furieux 7 réalisateur James Wan face à un défi déchirante lorsque le plomb Paul Walker est mort tragiquement dans le milieu de la production sur le film. Donc, ce est quelque chose d'un miracle que lui et l'équipe derrière cette série d'évasion ont réussi à livrer non seulement un autre tour délicieusement over-the-top joie, mais aussi élégamment honorer l'acteur au cœur de celui-ci. Furious 7 visites chaque noter que qu'il faut pour satisfaire les fans et payer effectivement hommage à Walker dans sa dernière performance à l'écran. source:http://www.ign.com/articles/2015/03/24/furious-7-review  Genre: Mystère et suspense, Action & Adventure  Réalisé par: James Wan  Ecrit par: Gary Scott Thompson, Chris Morgan  Au cinéma: 3 avril 2015 Large  Durée: 2 h. 20 min. Universal Pictures - Official Site  - Films pour votre Android -